at.atmosynth.track

A track, held in its creator's own repository.

Repository @atmosynth.at did:plc:fzjkahpwapmoqxybwdjb6ysf namespace authority
Details · record, key tid
Kindrecord
Record keytid
Authorityatmosynth.at
Indexed

Record

record · key tid

Properties

createdAt

requiredstring · datetime
  • maxLength: 3000

lineage

array
  • maxLength: 64
itemsref

name

requiredstring

What its creator calls it.

  • minLength: 1
  • maxLength: 200

tags

array

Freely created tags, lower-cased on write.

  • maxLength: 32
itemsstring
  • maxLength: 128

tempo

string

The tempo it was written at, in beats per minute from 20 to 999, as decimal text, so it can be heard as its creator heard it before it is placed in an arrangement, whose tempo it then follows. Optional: absent is 120.

  • maxLength: 32

track

requiredref

The track. Its ticks count from its own start, which is placed at a tick of the arrangement it is taken into; its `to`, sends and sidechains name nothing yet, and are settled where it is placed.

Similar lexicons

semantic match

Lexicons whose schemas describe something close to this one. Check them before publishing a new one that overlaps.

  • A recording as it is placed in an arrangement — cut, faded, warped to the beat — published on its own to be taken into anybody's arrangement.

  • Notes published on their own — a chord progression, a bassline, a drum groove — to be taken into anybody's arrangement and played by whatever instrument it is placed under.

  • Tracks written for somebody else's arrangement, held in the repository of whoever wrote them. Nobody can write into another account's repository, so a contribution is offered rather than added: it names the arrangement it is for, and becomes part of that arrangement only when the arrangement's creator includes it by address. It stays its writer's, under their name, and what they change in it changes what the arrangement plays.

  • An arrangement: tracks of clips over one timeline, mixed through busses into a master, with the tempo, the meter and the key it is counted in. Its instruments and effects are patches held inside it whole, and what it took from other people's records it holds as copies that remember where they came from. Parts that other people wrote for it in their own repositories are included by address.

  • A recording published to be found and used: a one-shot, a loop or a longer take, with what is known of its time and pitch. A recording used only inside an arrangement is a blob of that arrangement and needs no record; this is for sharing one.