at.atmosynth.audioClip

An audio clip, held in its creator's own repository.

Repository @atmosynth.at did:plc:fzjkahpwapmoqxybwdjb6ysf namespace authority
Details · record, key tid
Kindrecord
Record keytid
Authorityatmosynth.at
Indexed

Record

record · key tid

Properties

clip

requiredref

The clip, placed nowhere: it has no `at`. Its recording is in this record's own account.

createdAt

requiredstring · datetime
  • maxLength: 3000

lineage

array
  • maxLength: 64
itemsref

name

requiredstring

What its creator calls it.

  • minLength: 1
  • maxLength: 200

tags

array

Freely created tags, lower-cased on write.

  • maxLength: 32
itemsstring
  • maxLength: 128

tempo

string

The tempo it was written at, in beats per minute from 20 to 999, as decimal text, so it can be heard as its creator heard it before it is placed in an arrangement, whose tempo it then follows. Optional: absent is 120.

  • maxLength: 32

Similar lexicons

semantic match

Lexicons whose schemas describe something close to this one. Check them before publishing a new one that overlaps.

  • Notes published on their own — a chord progression, a bassline, a drum groove — to be taken into anybody's arrangement and played by whatever instrument it is placed under.

  • One track published on its own, to be taken into anybody's arrangement: its instrument or recordings, its clips, its effects, its mix and its automation, exactly as an arrangement holds a track.

  • A recording published to be found and used: a one-shot, a loop or a longer take, with what is known of its time and pitch. A recording used only inside an arrangement is a blob of that arrangement and needs no record; this is for sharing one.

  • What the arrangement, its tracks, its clips, its effect chains, its samples and the parts offered to it share: musical time, credit, reuse, and the objects an arrangement holds inline and every one of them also publishes as a record of its own. Time here is counted in ticks, 960 to the beat, a beat being a quarter note whatever the meter says. A patch's own patterns keep the 96 to the beat the patch description counts in, so a pattern copied into a clip is multiplied by ten and loses nothing.

  • An arrangement: tracks of clips over one timeline, mixed through busses into a master, with the tempo, the meter and the key it is counted in. Its instruments and effects are patches held inside it whole, and what it took from other people's records it holds as copies that remember where they came from. Parts that other people wrote for it in their own repositories are included by address.